When we last left off, we’d just come back from medieval Tolédo, full of New Castilian culture.
From Conquerors to Conquered
Having spent a week spying vestiges of conquistadors in our historical visits around Castile, we spent the second week of our trip looking at the other side of the hill. And a few fortresses.
So it was on to Barcelona. We survived an Ugly American (Brooklynite, actually) incident on the train, but when we arrived in Spain’s northern capital, it almost seemed like there was some sort of disagreement between the two parts of the country. My first clue was the “War of the Flags,” where people proudly hung their Catalan flags from their apartment balconies, far outnumbering the Spanish flags.
Fortunately there wasn’t any rioting after Real Madrid spanked Liverpool in the Champions League final.
My first impression of the city? Central Barcelona is a much more modern city than central Madrid, but with just as many tourists. The bread, I should note, is infinitely better than what we had in Madrid – must be the proximity to France, where they know how to bake bread. Bâtards.
Anyway, Barcelona has its own attractions. We spent the mandatory tourist dollars visiting Gaudí’s Sagrada Familia cathedral – mostly standing on narrow tower steps waiting for the line of people to keep moving down, not wanting to contemplate a fall.
And then we experienced the virtual-reality smartphone-headphone set up of Casa Bottló. I guess I was just fated to be an early modernist.
Speaking of early moderns, I was struck by the predominance of Anglo authors in the early modern Spanish history section of the Spanish bookstores – names you know, like Geoffrey Parker and John Lynch and J.H. Elliot, not to mention authors like John Keegan, and lots of Spanish translations of English-language histories. I’m guessing Franco’s heavy hand might have had something to do with the seeming silence of senior (native) Spanish historians, but that’s just speculation on my part.
History as Catalan Nationalism
Later on, we spent a half-day at the waterfront, and semi-randomly selected the Museum of Catalonian History as our destination. The museum covers the history of the Catalan region(s) from prehistory to today. When you hear somebody say “from prehistory to the present,” you undoubtedly think “so, like a few mannequin cavemen and they jump forward to the 19th century, right?” Well, let me tell you, I never saw so many rooms on medieval history in my life. More Catalan kingdoms and principalities than you could shake that proverbial stick at (again with the sticks? what’s up with those sticks?).
One fun fact of medieval nationalism I came away with: the origin legend for the Catalan flag (the Senyera above) is that, during the 897 siege of Barcelona, a grateful king dipped his four fingers in a mortally-wounded Catalan count’s blood and dragged it across the count’s golden shield, thanking him for his service. If I were the count, I probably would’ve requested some pain killers as a reward instead, but I guess they did things differently back then. Apparently the Austrians have a similar tale for their own crimson-streaked flag dating from the 13C. But for those who prefer stories of the pen to those of the sword, the museum also had a 10 minute video on making parchment, quill and ink from scratch. “Shaving the yak” indeed.
There was even a model of the fortress of Salses, a Pyrenean fort that we had visited several years earlier during our southern France excursion. What a small world.
The Salses gateway (on the left, in the model above) from our visit to the real thing:
There was also an interesting display on the 1640 ‘Reaper’ revolt, where the irregular miquelets rose up against Castilian taxes and governance during Olivares’ Franco-Spanish War (part of the Thirty Years War, for those of you keeping track at home). One of the songs from the conflict, “The Reapers” (Els Segadors), is currently the Catalan ‘national’ anthem.
Unlike Tolédo’s Museo del Ejército, the Museu d’Història de Catalunya clearly considered its history very important, and its experience in the War of the Spanish Succession as particularly relevant to today. They have a whole online exhibition on the war, if you’re interested.
For those who aren’t already familiar with the two-minute narrative: over the course of the war, Philippe’s forces managed to repulse two separate Allied occupations of Madrid, and went on to recapture most of its territory after the battlefield victory at Almansa. Obligingly, the British facilitated this reconquest by choosing to abandon their Austrian and Catalan allies after getting most of their Spanish contingent captured at Brihuega.
And, in case the Catalan bent of the museum had eluded you up to that point, the museum had a rather large exhibit on the Catalan catastrophe that was the fall of Barcelona in 1714. The War of the Spanish Succession had largely ended in 1713. But those crazy Catalans kept on fighting long after their Austrian candidate ‘King Carlos III’ abandoned them for the Imperial throne in 1711 – becoming Holy Roman Emperor Karl VI. It appears that Karl’s former Spanish digs would remain on his mind, since he refused to acknowledge Felipe as King of Spain for decades. And clearly the memory of Barcelona in particular stayed with him, at least in death, as my wife and I witnessed when viewing his crypt at the Kapuzinergruft in Vienna a few years earlier. Here’s a close-up of his tomb, which celebrates his 1706 liberation of the city:
But I digress. Since Barcelona wouldn’t surrender after fighting had ended everywhere else, that meant that the Duke of Berwick – you know, the English one in French service loaned out to the Spanish – had to besiege the fortress, exposing the city to a third siege in a decade, fourth, if you include a brief, unsuccessful Allied attack in 1705.
At siege’s end, after a year-long defense, a peeved Philippe ordered his commander to slaughter the population for their rebellion. Instead Berwick decided to give them a capitulation on the 11th of September. Catalan privileges were revoked, and it was all downhill from there.
So I guess the Catalonians had their 9/11 long before the U.S. had ours. And the rest, as they say, is history.
Overall the museum was very well done, lots of interesting maps and more descriptive text than you can imagine. Somebody spent a lot of time on this museum. And it’s been noticed, witness this hot-off-the-press study I just saw:
Another day, another fortress.
In case you had any more interest in Catalan history, you could always visit one of the sites of these many Barcelona sieges: Montjuïc castle, pronounced Mont-JEW-k. And you would be correct if you thought that it was named that because of its initial use as a Jewish burial ground. Fast forward to 1640 and this outcropping overlooking the Mediterranean would be transformed from a lighthouse to a small fort, built up over successive decades into a more formidable fort.
It’s one of the better-maintained fortresses that I’ve been to. As you can see from the Google Maps screenshot below, it’s on a hill and surrounded by a park – access is either via a cable-car and funicular, or a walk through said park.
The Art of War
An aerial view to give you your bearings – the main citadel complex is on the right:
The fortifications themselves were well maintained, with flower beds in the ditch.
I’ll let the photos do most of the talking, otherwise you can zoom around the fortress using Google Maps’ Street View, or find any number of descriptions on the various sieges the citadel underwent.
And there were moat monsters guarding the ravelin.
Or, if you seek interactivity, you can figure out what this says, and learn about who was involved in the 1697 and 1705 sieges:
And what does an occupying force do with all this stone overlooking Barcelona? Well, just about any early modern citadel garrison would tell you: use it to intimidate the town into submission. You think it’s a coincidence that the Castilians decided to build a fort there in 1640, when the Reapers’ revolt broke out? So every once in a while over the next few centuries the Spanish military would bombard the restless Barcelonans back into submission. And, starting in the Spanish Civil War, it became the site of a few human rights violations, including the imprisonment, torture and execution of dozens, including political prisoners. With this history, it’s no surprise that the castle’s exhibition on the history of Montjuïc ends with a quotation from the Universal Declaration of Human Rights, article 5 on freedom from torture.
Other random, slightly-less depressing, facts about the citadel:
- Montjuic was one of the locations where measurements were taken to establish the meter in 1792 – there’s a plaque commemorating that.
- It hosted some of the events of the 1992 Barcelona Olympics. And as if on cue, when we were there an archer, possibly a holdover from their Olympics team, was at the butts in the dry ditch.
So definitely worth a visit, especially if you’re with someone who wouldn’t otherwise be caught dead tramping around a fortress. Fortunately for me (but not for my wife), our fortress tramping was just beginning.
But that’s for part 3.
For those who’ve never been, or who need a refresher, or for those who want to check up on Spanish history before 1808, I offer you a pictorial tour of the early modern highlights of Spain, May 2018. Two weeks of art, churches, and war – can it get any better than that? There will be nothing surprising to seasoned travelers or experts on Spain, but I haven’t posted in a while. So read on for lots of big photos and historical allusions aplenty. Maybe you’ll even learn something. Read More…
Just got back from a two-week excursion to central Europe, with a quick turnaround for other familial obligations.
But lest you think I was merely reading Georg Scherer’s sermons at a Viennese café while drinking my Wiener Melange (more like eating apfelstruedel mit schlagobers and reading reports of yet another act of hate/terrorism/gun violence in the U.S.), I was actually hard at work, traipsing across the historical flotsam and jetsam of what once was the crown jewel of the Austro-Hungarian empire. But that’s for another time.
To tide you over, in case you’re in Vienna over the next couple of months, and are interested in all things Karl V, the Kunsthistorisches Museum has a top-floor exhibit on Charles V’s capture of Tunis in 1535. There are apparently some tapestries of his successful North African campaign in the Prado, but Vienna has the “cartoons” (the paintings which were the basis of the tapestries) currently on display.
For a brief (English-language) overview of the exhibit, you can look here.
The KHM also has a (German-language) catalog of the exhibit. Which makes me think there really should be some art museum listserv to alert interested parties to military history-themed exhibits. Though something like this might be a start.
New article in Social Science Computer Review using GIS to analyze the 1714 siege of Barcelona.
I also have the number of daily workers, so a casualty rate over the length of the siege could easily be calculated.
And, finally, a colorful map that emphasizes the importance of musketry for the defense:
Now I remember why it took me so long to finish my dissertation – because I wrote 1.5 of them instead of just one.
If you do, and if you were intrigued by the comments left by Björn in a previous post about Spanish siegecraft, you should check out a short article I published a few months back in the lavishly-produced Spanish popular military history magazine Desperta Ferro (moderno). The article surveys the nature of siege warfare in the Iberian theater during the Spanish Succession, and is based on yet more research from grad school, when I thought my dissertation would cover the sieges in all four theaters (silly me). Yet more research that never saw the light of day, till now.
Perhaps the article can best be summed up in the abstract:
Vauban y la guerra de los ingenieros por Jamel Ostwald (Eastern Connecticut State University). La imagen más extendida hoy día sobre la guerra de sitio en la Edad Moderna es la de una coreografiada y contenida partida de ajedrez en la que cada contendiente mueve mecánicamente sus piezas sobre el tablero según unas reglas estrictas, hasta que el rey es capturado sin apenas derramamiento de sangre. Sin embargo, a pesar de estos estereotipos contemporáneos, capturar una fortaleza alrededor del 1700 no era una operación mecánica que se desarrollaba con precisión científica. Más que seguir una fórmula concreta, los sitiadores de la Edad Moderna podían elegir entre un gran abanico de tácticas posibles y su misión era usar las herramientas a su disposición para tomar la plaza elegida tan pronto como fuera posible y al menor coste. Mapa de Carlos De La Rocha.
My own, English, summary: Sieges in Iberia were much more rudimentary, and desperate, than those in the Low Countries, Germany, and Italy.
The article includes a very nice map of the main sieges in the theater (drawn from the data in my Vauban under Siege), with graduated circles illustrating the location, side, duration, and result of the theater’s various sieges. Here’s my bare-bones 15-year-old attempt (with a few errors):
Hopefully an English version of the Desperta article (or at least the map) will come out sometime.
Storrs, Christopher. “The Spanish Risorgimento in the Western Mediterranean and Italy 1707–1748.” European History Quarterly 42, no. 4 (2012): 555-577.
The reign of Philip V of Spain (1700–46) remains one of the most neglected in the history of that country, and in terms of its significance for the rest of Europe. Philip is widely regarded, on the one hand, as little more than the instrument of his wives – above all, Isabel Farnese – and, on the other hand, as a major innovator in Spain. This article seeks to show that Philip’s revanchist aspirations in Italy – and in Africa – after the losses incurred during the War of the Spanish Succession, and which ensured that Spain represented the single greatest threat to peace in Europe between the end of that conflict and the conclusion of the War of the Austrian Succession, were not simply imposed by his spouse. It also suggests that Philip’s ambitions were backward looking, and that in seeking to reconstitute his Habsburg inheritance, Philip drew on traditional institutions, practices and values at least as much as he innovated.
It seems almost single-handedly, Storrs is trying to keep interest in the 17C-18C Mediterranean alive.
I spent several hours today playing around with animated GIFs. For those who aren’t among the technocenti (circa 1995), an animated GIF is a type of graphic file that allows you to animate its contents. You’ll see a fair number of them online, particularly if you read many blogs with animated cat icons. It’s a poor cousin to the more powerful animations and interactive websites available in Flash, which Steve Jobs declared war against about the time the iPad came out.
I’d dabbled with Flash before, and will again, but I wanted to keep my experimentation simple at first. So here’s my first attempt. I have lots of ideas for the medium-term future, but this will give you a sense of what they look like at their most basic.
(The blog may require you to click on the image in order to run the animation. Go ahead. I’ll wait.)
I was able to easily export my Adobe Illustrator file into Photoshop and then use its Animation feature. It’s actually a bit more complicated than that, because you need to rethink how you represent your content when you shift from static to animated, and essentially rethink your layering strategy.
- Do you find animations like the above effective?
- How would you improve it?
- Is animating a map like the above worth the effort, or is it better to just do a static map, such as: